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The Beat, It Travels: Reggaeton

Reggaeton's rich history, from Panama to Puerto Rico and beyond, is a celebration of collaboration across cultures, making it one of the world's favorite genres.

Friday Nite Videos | December 30, 2022

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One Love (Bob Marley) | Playing for Change. Constructive-ish Criticism: Jordan & Roy Look Back. Our Forests | Timelapse. Pelé, Football Great, Dies Aged 82. How This Fusion Reactor Will Make Electricity by 2024.

Friday Nite Videos | December 23, 2022

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The Best of Trevor Taking on Conservatives. How Iran's Repression Machine Works. Feliz Navidad | Grandpa Elliott Tribute. Inside Trader Joe's Workers' Fight for a Union Contract. Trump's White House 'Ethics' Lawyer Is in Very Big Trouble.

Feliz Navidad | Grandpa Elliott Tribute

Join us in remembering his impactful journey from singing on the streets of New Orleans for 65 years, to performing in over 25 countries around the world!

Friday Nite Videos | December 2, 2022

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Herschel Walker's Campaign Dealt New Blow. MTG Back on Twitter | Mike Lindell As RNC Chair? How Ticketmaster Is Destroying Live Music. Chronic Lyme Disease: The Quiet Epidemic. Who Paid for Jeff Bezos To Fly to Space?

How Ticketmaster Is Destroying Live Music

Ticketmaster is destroying live music. Fees as much as 78% of a ticket. Controlling events, venues, even artists. There’s a movement pushing the Justice Department to take on their monopoly. Cory Doctorow breaks it down.

Friday Nite Videos | November 25, 2022

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Howard Zinn and Voices of a People’s History. Qatar World Cup | John Oliver. The Torch | The Story of Buddy Guy. The Global Movement To Restore Nature's Biodiversity. Fox News Finally Abandons Trump.

The Torch | The Story of Buddy Guy

Guitar icon Buddy Guy reflects on his legacy and passes along the blues lessons he received from legends Muddy Waters and Howlin Wolf to a phenom of the next generation

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Jazz Musician Esperanza Spalding To Depart Harvard

Paton D. Roberts and Eric Yan The Harvard Crimson
I am no longer willing to endorse a cultural norm whereby artists & artist-educators passively participate-in, and benefit-from institutions born and bolstered through the justification..or practice of exploiting and destroying Black and Native life
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